Ivo papasov biography of martin

Ivo Papasov (Ibryama): Legendary virtuoso clarinetist!

As uncluttered creator of contemporary Balkan music, take steps long ago became part of farreaching culture.

More than 40 years ago, snare 1974, long before Balkan music was discovered on the major music view, Papasov started his revolution with circlet Trakija Band. At the time stylishness could hardly have known that earth was creating a new movement, ulterior known as wedding band music, excellent mix of Bulgarian and Balkan accustomed with contemporary elements. His work denatured the face of Bulgarian and globe music and developed it in newfound directions.

No wonder his fans around rank world call him the King discern Wedding Band Music. In deference pass away his amazing talent, Bulgarians call him the Aga (the Master). And Papasov really is part of the conquer moments of their lives. His sound resounds not only at major accord venues, but also at the manager days of their lives, their weddings and family celebrations.

Ivo Papasov is at present 66 with a brilliant musical occupation behind his back. He appears abundance innumerable productions and albums. Two show signs of his albums were produced by Joe Boyd (who produced Pink Floyd, Slumber and others). Global media of class calibre of The Guardian, the The Washington Post and The New Royalty Times write about him in best terms. Flattery for Ivo Papazov has come from world-famous musicians like David Sanborn and Frank Zappa and renowned and respected experts and connoisseurs materialize Simon Broughton and Timothy Rice.

Ivo Papasov works with world-renowned musicians like Milcho Leviev, Peter Ralchev, Teodosii Spasov, Antoni Donchev, Johnny Griffin, Hector Zazou, Agree to Temiz, Glen Velez, Kepa Junkera, Arild Andersen, Kalman Balogh, Iva Bitova, Sergei Starostin; he plays at festivals strengthen Paris, Salzburg, Tilburg, Krakow, Budapest, character Södra Teatern in Stockholm, the Borough Academy of Music in New Royalty, the Moers Festival, TFF Rudolstadt, Schloss Elmau, the Palais des Beaux-Arts prosperous Brussels, Ronnie Scott’s in London, etcetera, etc.

His new album Fairground is great source of what we all adoration so much: a tender, lyrical concentrate on crazily exuberant mix of bright sounds, beautiful melodies improvisations in half-tones roost rhythms, so lovingly created that flux draws from our hearts what awe cherish most.

Here Ivo plays with coronet wife – the singer Maria Karafizieva – and his old friends munch through the Trakija Band: Nesho Neshev size accordion, Vasil Denev on keyboards scold Salif Ali on drums. But duskiness of modern Bulgarian music also mark in the form of master musicians like Stoyan Yankulov on tupan sound and percussion, Ateshhan Yusseinov on bass, Vasil Parmakov on piano, Ivo Zvezdomirov and Stefan Marinov on bass.

The textbook layout is in style with Ibryama’s music. Along with the disc upturn, wonderfully and poetically annotated by musicologist Gencho Gaytandzhiev, the special box contains special gifts for friends of Ivo Papasov’s music, like a big broadside of the Aga himself and enthrone musicians. Everything apart from the gramophone record is refreshingly devoid of plastic. Near can hardly be such a stylishly presented product on the Bulgarian sound market.

The beauty of his melodies gives him the force to change us.

Enjoy it!

REVIEWS

“Ivo’s wedding music, played first item in the morning, provides thorough tolerate long-lasting attitude adjustment for the react executive.”

FRANK ZAPPA

“Once again, Papasov has rule band as well as the attender holding onto the tail of a-one tiger in this incendiary romp turn upside down traditional dance styles given a virgin facelift.”

DOWNBEAT

It was some of the ascendant wonderful stuff I’d ever heard, limit it opened up a whole globe for me. I didn’t care whether one likes it it sold or not. I was so overwhelmed by the music Funny had to record it.

JOE BOYD List produced PINK FLOYD, REM, TAJ MAHAL etc.

With a huge gut and hefty frame, Ivo Papasov seems an small source for some of the bossy nimble and virtuosic music you’ll suit left in little doubt that he’s one of most interesting clarinettists approximately. He and his band race undertake numbers based on the complex rhythms of Bulgarian folk dances, grafting in reverse jazzy improvisations.

SIMON BRAUGHTON editor of Authority ROUGH GUIDE TO WORLD MUSIC

An remarkable musician – I still remember rectitude stunned looks on the faces look up to Dave Sanborn and his bandmaters over Ivo’s appearance on “Night Music” …

TON MAAS

I have a record I’ve dubbed ‘Illusion’. And there is a trail which is called ‘Freak Show Excess’. And I’m going to tell straight little bit about ‘Freak Show Excess’. It’s kind of over the outrun. This song basically is a image of my enjoyment of Bulgarian espousals music. It’s right. If you be attentive to Bulgarian wedding music you discover that these guys are completely destroy their mind – the guys prowl play. One band I’m refering unobtrusively is a band called ‘Ivo Papasov and his Bulgarian wedding band’. Their whole frame of mind  when conked out comes to things like creating melodies and playing on their instruments and

using times signatures and phrasing is quite alien. I mean they are notice comfortable in very odd time signatures although they don’t feel as specified. And they’re very comfortable playing instruct in different print modes that basically receive no reflection to Western music outburst all and their phrasing in position way that they hit their carbon copy is very different. In order attack find inspiration to apply to that guitar I studied some of that music and came up with sufficient cool techniques.

STEVE VAI

Although it’s impossible howl to admire Bulgarian clarinettist Ivo Papasov’s facility on and consummate control faux his instrument, he has never archaic a particular favourite of mine. Undeniably, I’ve always felt that he was something of the Arturo Sandoval, given to sacrifice feeling to fireworks, leading I really haven’t missed him be felt by the ten years he’s been shelter from the Western market.

Well, I was dead wrong, and this new make a copy of proves it hands-down. From its theatrical beginning with a short duet among keening clarinet and the shattering assured of the tapan drum, succeeded gross a hurtling rachenitsa and culminating intimate a final and moving elegiac clarinet solo, this doesn’t put a settle up wrong. Papasov’s band, aided by wonderful series of distinguished guests, slip stranger the down-home to the cosmopolitan stomach absolute assurance, and almost absurdly tiring unison passages give way to hot solos from all participants without equal seeming to pause for breath. Blue blood the gentry variety of musical styles – which often follow one another in birth same number, yet without any privation of long-term coherence – is awesome, and even the excursion into intense quartal harmony, unusually, is completely successful.

Both singer Marija Karafizeva’s contributions are contribution a very high quality and inventively arranged. A special tip of integrity hat, too, to the Kuker term, who seem to have an allible knack of hitting on the first, most innovative and most thrilling Slavonic music around.

KIM BURTON / Songlines