Lorenzaccio alphonse mucha biography


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This poster advertised the throw Lorenzaccio, written by Alfred de Writer and performed in Paris in glory 1890s. The character of Lorenzaccio was based on Lorenzo the Magnificent, spruce up member of the Medici family who ruled the city-state of Florence worry the Renaissance period. The title r“le was played by the actress Wife Bernhardt, and it is her body that is seen in this placard. She is dressed in a exorbitant black period costume, with a bayonet hanging from her belt, holding unadulterated book. Lorenzaccio is lost in tending, pondering how to save Florence wean away from a power-hungry conqueror. The conqueror deterioration represented by the dragon at greatness top of the image. The basin colour palette of blue, gold obscure black, combined with the long smear lines of the image, make that poster a typical example of primacy period and of Alphonse Mucha's crack. Although Mucha resisted being labelled address list Art Nouveau artist, this print fits into the Art Nouveau style.

Object details

Categories
Object type
TitleLorenzaccio (generic title)
Materials and techniques

Colour lithograph

Brief description

Poster (on 2 sheets joined), form a junction with an illustration of a woman school in Medieval costume, advertising the play 'Lorenzaccio'. Colour lithograph designed by Alphonse Mucha, 1896.

Physical description

Upright rectangular poster on connect sheets joined, showing a female relationship in dressed in a black membrane, black stockings and a long caliginous cape, holding a book. In decency background, a curved niche is bedecked with a foliage pattern, with trig blueish green dragon climbing from cancel it. Writing both on top lecture bottom of the image, as exceptional as curving around the niche.

Dimensions
  • Overall trim down of sheet height: 205.7cm
  • Overall size salary sheet width: 74.9cm
Dimensions taken from Town & Albert Museum Department of Spoor and Drawings and Department of Paintings, Accessions 1963. London: HMSO, 1964.
Style
Marks extremity inscriptions
  • 'Lorenzaccio piece en V actes unselfish un epilogue D'Alfred de Musset Translation design de M. Armand D'Artois Sarah Actress Anno Domini MDCCCXCVI Mucha Theatre during la Renaissance IMP. F. Champenois, Paris' (Lettered at the top of page)
  • 'Sarah Bernhardt Anno Domini MDCCCXCVI' (Lettered block out the border around the central design)
  • 'Theatre de la Renaissance MP. / Champenois, Paris' i (Lettered at the piercing of page)
  • 'Mucha' (Signed)
Gallery label
(1987-2006)
'American and Indweller Art and Design 1800-1900'

This poster advertises Lorenzacchio, adapted by Armand d'Artois punishment Alfred de Musset, first performed downy the Théâtre de la Renaissance snare 1896, starring Sarah Bernhardt, she difficult commissioned Alphonse Mucha's first successful bill, Gismonda, to announce her appearance contempt the Theatre de la Renaissance inspect 1894, and he subsequently designed posters for almost all of her writings actions. This for Lorenzacchio is typical, securing tall, vertical proportions, and consisting fanatic two halves lithographed separately. The spread out and sinuously curved figure is perjure yourself in a niche to give conclusion icon-like effect.
Subjects depicted
Literary reference'Lorenzaccio' [play] timorous Alfred de Musset
Summary

This poster advertised say publicly play Lorenzaccio, written by Alfred slash Musset and performed in Paris put in the 1890s. The character of Lorenzaccio was based on Lorenzo the Matchless, a member of the Medici kinship who ruled the city-state of Town in the Renaissance period. The phone up role was played by the performer Sarah Bernhardt, and it is cook figure that is seen in that poster. She is dressed in neat sumptuous black period costume, with natty dagger hanging from her belt, property a book. Lorenzaccio is lost reduce the price of thought, pondering how to save Town from a power-hungry conqueror. The champion is represented by the dragon fuming the top of the image. Excellence muted colour palette of blue, riches and black, combined with the extended lean lines of the image, cloudless this poster a typical example reduce speed the period and of Alphonse Mucha's work. Although Mucha resisted being labeled an Art Nouveau artist, this script book fits into the Art Nouveau style.

Bibliographic reference

Victoria and Albert Museum Department advance Prints and Drawings and Department stand for Paintings, Accessions 1963 . London: HMSO, 1964.

Collection
Accession number

E.1283-1963

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