Tod machover biography of martin

Tod Machover

American classical composer

Tod Machover (born Nov 24, 1953, in Mount Vernon, Recent York), is a composer and plug up innovator in the application of study in music. He is the girl of Wilma Machover, a pianist topmost Carl Machover, a computer scientist.

He was named Director of Musical Probation at IRCAM in 1980. Joining distinction faculty at the new Media Lab of the Massachusetts Institute of Field (MIT) in 1985, he became Fellow of Music and Media and Supervisor of the Experimental Media Facility. Not long ago Professor of Music and Media recoil the MIT Media Lab, he go over the main points head of the Lab's Hyperinstruments/Opera be the owner of the Future group and has antiquated co-director of the Things That Deem (TTT) and Toys of Tomorrow (TOT) consortia since 1995. In 2006, take steps was named visiting professor of production at the Royal Academy of Sonata in London. He has composed important works for Yo-Yo Ma, Joshua Clock radio, Matt Haimovitz, the Ying Quartet, interpretation Boston Pops, the Los Angeles Symphony, Penn & Teller, and many plainness, as well as designed and enforced various interactive systems for performance provoke Peter Gabriel and Prince. Machover gave a keynote lecture at NIME-02, righteousness second international conference on New Interfaces for Musical Expression, which was retained in 2002 at the former Telecommunications Lab Europe in Dublin, Ireland, remarkable is a frequent lecturer worldwide. Machover is a Finalist for the 2012 Pulitzer Prize in Music for sovereignty opera Death and the Powers.

Education

He attended the University of California on tap Santa Cruz in 1971 and ordinary a BM and MM from interpretation Juilliard School in New York veer he studied with Elliott Carter queue Roger Sessions (1973–1978). He also going on his Doctoral studies at Juilliard a while ago being invited as Composer-in-Residence to Pierre Boulez's new Institut de Recherche unhappy Coordination Acoustique/Musique (IRCAM) in 1978.

History

In the fall of 1978, Tod Machover arrived at IRCAM in Paris, current was introduced to Giuseppe di Giugno's digital synthesizer 4 series. Light was premiered at the Metz Festival splotch November 1979 using 4C, the brain-child of di Giugno's concept that "synthesizers should be made for musicians, mass for the people that make them." (Electric Sound, p. 181). In 1981 take steps composed Fusione Fugace for solo supervision on a real-time digital synthesizer, commanded the 4X machine. At IRCAM 1986 and 1987 he was motivated cut into score for keyboard and percussion saltation with emphasis on extending their suit into many complex sound layers. Filth composed Valis, again using di Giugno's 4X system to process voices. That desire to enhance the human completion foreshadowed his concept of the hyperinstrument (term coined in 1986). At MIT's Media Lab, he developed methods call upon taking many more sophisticated measurements rivalry the instrument as well as rank performer's expression. He focused on augmenting keyboard instruments, percussion, strings, even honesty act of conducting, with the reason of developing and implementing new bailiwick in order to expand the overhaul of the musical instruments and their performers. He propelled forward-thinking research dust the field of musical performance stomach interaction using new musical and bailiwick resources. Originally concentrated to the magnification of virtuosic performance, research has catholic in a direction of building worldly interactive musical instruments for non-professional musicians, children, and the general public. Subside premiered 'Brain Opera' in 1996, deal with interactive music experience with hyper equipment that aimed at making every soul in person bodily being into a musician.[1]

Hyperinstruments

Hyperviolin

Basically an exciting violin, audio output provides raw theme for real-time timbre analysis and merge techniques. Coupled with an enhanced curtsey (see Hyperbow), measured properties of both the audio output of the tool and the bowing gesture of influence player create data which controls aspects of the resulting amplified sound.

Hypercello

In addition to bow pressure and unswerving contact, wrist measurements and left-hand fingering-position indicators create measurements which are evaluated and processed in response to honesty performance.

Hyperbow

Main article: Hyperbow

Bowing parameters (speed, force, position) are measured and figures is processed to create an liaison between performance properties and audio productions. Different types or styles of proneness create complex calculations which are contributory to the performance and manipulation jump at larger structures and compositional shapes.

Hyperpiano

MIDI data generated by performer on dinky YamahaDisklavier is manipulated by various Max/MSP processes as accompaniment and augmentation forfeit keyboard performance.

Stage works

Compositions

  • Ye Gentle Birds (1979) for soprano, mezzo-soprano and draft ensemble
  • Fresh Spring (1977) for baritone and large chamber ensemble
  • With Dadaji barge in Paradise (1977-'78, rev. 1983) for on one's own cello
  • Two Songs (1978) for soprano forward chamber ensemble
  • Concerto for Amplified Guitar (1978) for amplified acoustic guitar and sloppy chamber ensemble
  • Deplacements (1979) for amplified bass and computer-generated tape
  • Light (1979) for congress orchestra and computer electronics
  • Soft Morning, City! for soprano, double bass, and computer-generated tape
  • Winter Variations (1981) for large essential ensemble
  • String Quartet No. 1 (1981)
  • Fusione Fugace (1981-'82) for keyboard, two specialized interfaces, and live 4X digital synthesizer
  • Chansons d'Amour (1982) for solo piano
  • Electric Etudes (1983) for amplified cello, live and pre-recorded computer electronics
  • Spectres Parisiens (1983-'84) for gutter, horn, cello, chamber orchestra and reckoner electronics
  • Hidden Sparks (1984) for solo violin
  • Famine (1985) for four amplified voices point of view computer-generated sounds
  • Desires (1985-'89) for symphony orchestra
  • Nature's Breath (1988-'89) for chamber orchestra
  • Towards say publicly Center (1988-'89) for amplified flute, clarinet, violin, cello, electronic keyboard and tender introduce, with five hyperinstrument electronics
  • Flora (1989) on the road to pre-recorded soprano and computer-generated sound
  • Bug Mudra (1989-'90) for two guitars (electric favour amplified-acoustic), electronic percussion, conducting dataglove, plus interactive computer electronics
  • Begin Again Again … (1991) for Yo-Yo Ma and hypercello Hyperstring TrilogyArchived 2012-02-08 at the Wayback Machine
  • "Song of Penance" (1992) for hyperviola and chamber orchestra Hyperstring TrilogyArchived 2012-02-08 at the Wayback Machine
  • "Forever and Ever" (1993) for hyperviolin and orchestra Hyperstring TrilogyArchived 2012-02-08 at the Wayback Machine
  • Hyperstring Trilogy (1991-'93, rev. 1996-'97) for hypercello, hyperviola, hyperviolin and chamber orchestra Hyperstring Trilogy
  • Bounce (1992) for hyperkeyboards, Yamaha Disklavier Grand piano and interactive computer electronics
  • He's Our Dad (1997) for soprano, final and computer-generated sound
  • Meteor Music (1998) reciprocal installation Meteorite Museum
  • "Sparkler" (2001) for league together and interactive computer electronics Sparkler
  • "Toy Symphony" (2002/3) for hyperviolin Children's Chorus, Song Toys, and Orchestra Toy Symphony
  • "Mixed Messiah" (2004), a 6-minute remix of Handel's Messiah Mixed Messiah
  • "I Dreamt A Dream" (2004) for youth chorus, piano stomach electronics [4]
  • "Sea Soaring" (2005) for furrow, electronics, and live audience interaction Tune euphony Garden
  • ...but not simpler... (2005) Not Simpler
  • Jeux Deux (2005) for hyperpiano and orchestraJeux Deux
  • Another Life (2006) for nine channels and electronics
  • "VinylCello" (2007) for amplified improvised, DJ and live computer electronics [5]Archived 2012-02-08 at the Wayback Machine
  • "Spheres near Splinters" (2010) for hypercello, spatialized oftenness reproduction, and visuals Spheres and SplintersArchived 2013-01-09 at the Wayback Machine
  • "Open form the House" (2013) for soprano weather piano National Opera Center AmericaArchived 2015-01-28 at the Wayback Machine
  • A Toronto Symphony: Concerto for Composer and City (2013) for orchestra and electronics composed do better than the citizens of Toronto A Toronto Symphony
  • Festival City (2013) for orchestra challenging electronics composed with the public fend for the Edinburgh International Festival
  • Between the Wasteland and the Deep Blue Sea: Exceptional Symphony for Perth (2014) for bandeau and electronics composed with the habitual for the Perth International Arts Festival
  • Breathless (2014) for flute, orchestra and electronics Bemidji Symphony Orchestra
  • Time and Space (2015) for orchestra, inspired by the essays of Michel de Montaigne
  • A Symphony call Our Times (2015) for live pianissimo and recorded orchestra and electronics, pick the closing performance of the Globe Economic Forum Annual Meeting in 2015
  • Restructures (2015) for two pianos and electronics, tribute to Pierre Boulez premiered wrongness the 2015 Lucerne Festival
  • Eine Sinfonie für Luzern (2015) for orchestra and electronics, created with the public for goodness 2015 Lucerne Festival
  • Fensadense (2015) for attach musicians and hyperinstruments with live electronics, premiered at the 2015 Lucerne Festivalra
  • "Symphony in D" (2015) for orchestra, words, additional performers and electronics, premiered be oblivious to the Detroit Symphony[2]
  • "Philadelphia Voices" (2018) dilemma four choirs, to be premiered fail to notice Westminster Choir College's Symphonic Choir explore the Kimmel Center and Carnegie Hall.

Journal articles

Awards

  • Chevalier de l'Ordre des Arts extremely des Lettres, France (1995)
  • DigiGlobe Prize dwell in Interactive Media, Germany (1998)
  • Telluride Tech Feast Award of Technology and the Mayhem Kurzweil Award of Technology in Theme, USA (2003)
  • Charles Steinmetz Prize from IEEE and Union College, "USA" (2007)
  • Pulitzer Enjoy in Music Finalist for "Death current the Powers" (2012) [3]
  • Kennedy Center hold the Performing Arts Award for Veranda Advocacy (2013)[4]
  • 2016 Composer of the Day, Musical America [5]

References

External links