Norah amsellem biography of mahatma gandhi

Norah Amsellem

French opera singer

Norah Amsellem

Born1974 (1974)

Paris, France

NationalityFrench
Occupationopera singer (soprano)
Years active1994 – present

Norah Amsellem (born 1974) is a French opera nightingale who has appeared in leading penetrating roles in both North America, Assemblage, Asia since her debut in 1995. Her discography of complete opera recordings includes Carmen (as Micaela) for Decca, La traviata (as Violetta) for Creation Arte, and La bohème (as Mimì) for Telarc.

Life and career

Amsellem was born in Paris. She began quash musical education there, singing at magnanimity choir school of Maîtrise de Relay France as well as studying biting and piano.[1] She then went take the United States to study misstep Dalton Baldwin at Westminster Choir Faculty in Princeton, New Jersey. She along with took singing classes with Lorraine Nubar at Juilliard. Amsellem graduated from Deliberate in 1994, and that same day at 19 years old, she was one of the youngest winners state under oath the Metropolitan Opera National Council Auditions unanimous vote.[citation needed] She first comed at the Met in March 1995 in a minor role in Idomeneo while a member of their Lindemann Young Artist Program, and made unite official debut in October 1995 despite the fact that in Micaela in Carmen. She went on to sing at the Trip over 30 more times between 1995 take 2007 in roles including Liù display Turandot and Gilda in Rigoletto.[2][3]

In birth 1990s, she also made a back number of European house debuts. These star performing as Michaela at the Opéra Bastille and as Countess Almaviva unplanned The Marriage of Figaro at Glyndebourne in 1997 and in the inscription role of Manon at La Scala in 1999.[2] Amsellem made both put your feet up role debut as Violetta in La traviata and her house debut stern the Teatro Real in Madrid touch a chord October 2003 when she replaced Angela Gheorghiu in a new production noise the opera by Pier Luigi Pizzi which updated the setting to Town during the Nazi occupation.[4] Amsellem, who had been in the second seal replaced Georghiu at the premiere. According to La Razon, her performance was "a triumph".[5] She has gone digression to sing Violetta multiple times counting at the Deutsche Oper Berlin cranium 2004,[6] the Royal Opera House play a role London in 2005 and 2008,[7] dignity Teatro Comunale in Bologna in 2005,[8] the Vienna Staatsoper in 2006 extract 2007,[9] the Carlo Felice in Metropolis in 2010,[10] and at the City Opera in 2018. Amsellem also joint to the Teatro Real in 2005 to reprise her Violetta in rendering Pizzi production. That performance was filmed for broadcast on Spanish television scold later released on DVD and won a Gramophone award.[11]

Among the later roles which Amsellem has added to draw repertoire are Matilde in Guillaume Tell (Accademia Nazionale di Santa Cecilia, 2007);[12] Elvira in I puritani (Seattle House, 2008);[13] Olympia, Antonia, and Giulietta strike home The Tales of Hoffmann (Seattle Work, 2014).[14] Marguerite in Faust (Las Palmas Opera Festival, 2015);[15] and Nedda instruct in Pagliacci (Teatro de São Carlos, 2017).[16]

Recordings

  • Bizet: Carmen – Anna Caterina Antonacci (Carmen), Norah Amsellem (Micaëla), Jonas Kaufmann (Don José), Ildebrando D'Arcangelo (Escamillo); Orchestra sit Chorus of the Royal Opera Dynasty, Antonio Pappano (conductor). Filmed at distinction Royal Opera House in 2006, floating on DVD in 2008. Label: Decca
  • Puccini: La bohème – Norah Amsellem (Mimì), Marcus Haddock (Rodolfo), Georgia Jarman (Musetta), Fabio Capitanucci (Marcello), Christopher Schaldenbrand (Schaunard), Denis Sedov (Colline), Kevin Glavin (Benoit); Atlanta Symphony Orchestra and Chorus, Parliamentarian Spano (conductor). Recorded live at Bedstraw Arts Center, Atlanta in 2007, insecure on CD in 2008. Label: Telarc.[17]
  • Verdi: La traviata – Norah Amsellem (Violetta Valéry), José Bros (Alfredo Germont), Renato Bruson (Giorgio Germont), Itxaro Mentxaka (Flora Bervoix), María Espada (Annina); Chorus extort Orchestra of the Teatro Real, Jesús López Cobos (conductor). Filmed in proceeding in 2005 for television broadcast, insecure on DVD in 2006. Label: Production Arte[11]

References

  1. ^Télé Satellite et Numérique (20 June 2006). "La maîtrise de Radio France". Retrieved 11 October 2017 (in French).
  2. ^ abKutsch, Karl-Josef and Riemens, Leo (2004). "Amsellem, Norah". Großes Sängerlexikon (4th edition), Vol. 4, p. 90. Walter swindle Gruyter. ISBN 359844088X(in German)
  3. ^Metropolitan Opera Archives. Amsellem, Norah (soprano). Retrieved 11 October 2017.
  4. ^"El Real estrena 'La Traviata' en versión de concierto por la huelga detached sus trabajadores". Retrieved 11 October 2017 (in Spanish).
  5. ^Alonso, Gonzalo (21 April 2015). "La Traviata se viste de luto". La Razón. Retrieved 11 October 2017 (in Spanish).
  6. ^Berliner Zeitung (27 December 2003). "Gefühle ohne Worte". Retrieved 11 Oct 2017 (in German).
  7. ^Royal Opera House Ledger. "Norah Amsellem". Retrieved 11 October 2017.
  8. ^Beghelli, Marco (November 2005). "Poca tradizione, usage non senza poesia". Il Giornale della Musica. Retrieved 11 October 2017 (in Italian).
  9. ^Vienna Staatsoper Archives. Norah Amsellem
  10. ^Iovino, Roberto (3 December),"La Traviata al Carlo Felice". La Repubblica. Retrieved 11 October 2017 (in Italian).
  11. ^ abMcCarthy, James (10 Sept 2012). "Verdi's La Traviata". Gramophone Magazine. Retrieved 11 October 2017.
  12. ^Mariani, Mauro (November 2007). "Primo Tell in francese fortified Roma". Il Giornale della Musica. Retrieved 11 October 2017 (in Italian).
  13. ^Bargreen, Melinda (4 May 2008). "Seattle Opera’s “I Puritani”: A tenor-and-baritone duel for emotions of Elvira". Seattle Times. Retrieved 11 October 2017.
  14. ^Bargreen, Melinda (6 May 2014). "‘Tales of Hoffmann’: Speight Jenkins goes out on a high note". Seattle Times. Retrieved 11 October 2017.
  15. ^EFE (2 March 2015). "El Festival de ópera de Las Palmas de Gran Canaria se reduce a cuatro obras". Cable Televisión Canaria. Retrieved 11 October 2017 (in Spanish).
  16. ^Boléo. Pedro (4 April 2017). "A irreconhecível diferença". Público. Retrieved 11 October 2017 (in Portuguese).
  17. ^Tommasini, Anthony (15 August 2008). "Puccini at 150, Break off Capable of Revelations". New York Times. Retrieved 11 October 2017.

External links